Vanity Fair’s 25th issue is dedicated to appraising the ambitions and personalities that power Hollywood.
The change I’m seeing more andmore is women directors,producers, and writers. Notnecessarily stories that havenever been told before, butthey’re finally being told from afemale perspective.
My sincere hope is that themagic and legendary history offilm that has had such aprofound impact on us stillexists in 25 years. We all havesuch fond, indelible moments ofbeing in the cinema, and I wouldbe so heartbroken to know thatfuture generations would missout on that.
The actors who are within thepages of this issue give newbreath to what Hollywood isand what Hollywood is going tobe. And that’s in terms ofdiversity, ethnicity, gender, andthe type of work that we’redoing.
I hope that in the next 25 yearsof filmmaking cinema doesn’tend up completely disappearingand exist just on a laptop screen.I’d love it if we all went back toshooting film.
I have been in the business 25years. So this is basically ourjoint anniversary
I am optimistic about the realactivism happening inside of theindustry and the conversationsabout equity that are creatingmaterial changes.
Did I expect this at thebeginning of the year? Definitelynot. I’m super-fresh on thescene, but I plan on stickingaround for a long time.
While my time in the businesshas been short, it has been asource of pride and hope formany people to see someonethat looks like me—anindigenous person—starring inan Oscar-winning director’sfilm. And a big change forHollywood.
The regard for television haschanged. There was a timewhere film actors only did film.Now the storytelling ontelevision is multifarious, andyou see actors on bothplatforms.
Vanity Fair is an Americaninstitution, so to be in it in anycapacity is an honor, but to beon the cover with actors I reallyadmire and respect, it’s a pinch-memoment.